A diverse group of people watching a glowing TV in a cozy living room, enjoying original shows from smaller networks.
The Surprising Perks of Watching Smaller Networks for Originals
Written by Michael Holden on 4/15/2025

Popular Small Networks and Their Standout Originals

Everyone’s always talking about the latest HBO Max exclusive, but I end up rearranging my living room after five minutes of HGTV. I’ve seen more weird horror movies on Tubi by accident than I’ve ever watched prestige drama on purpose. Why is that? Maybe because the originals actually feel, well, original.

Hallmarks of the CW, HGTV, and Trutv

I have zero patience for “peak TV” hype. The CW just keeps recasting superheroes every season like it’s speed-dating, and somehow it works. “Riverdale” has more plot twists in one episode than most networks manage in a year. Sometimes the lighting is so bad it looks like a high school play, but I trust that more than whatever the algorithm spits out.

HGTV makes home renovation look like a competitive sport. “Fixer Upper,” “Love It or List It”—they’re basically responsible for shiplap becoming a household word. My cousin thought it was a vitamin. Not kidding. And the numbers? HGTV pulled over 30 million weekly U.S. viewers in 2023. That’s wild for a channel about grout. Trutv is even more random—used to be “World’s Dumbest…” now it’s “Impractical Jokers,” and somehow that’s a cult. Juvenile? Maybe. But I’ll take that over another algorithm-approved cringe-fest any day.

Emerging Players: Tubi, Vevo, and Fast Channels

Tubi’s like this endless pile of weird indie horror, random international stuff, and whatever dusty sitcoms nobody else bothered to keep. Do I need eight streaming subscriptions? Probably not—Tubi’s sitting there, no login, just a mess of oddball originals and, honestly, commercials that are somehow less grating than YouTube’s. I don’t know how that’s possible. Supposedly 75 million people use it every month. My dentist won’t shut up about “Tubi Tuesdays”—that’s a thing, apparently.

I’ll click into FAST channels—Free Ad-Supported Television—on a whim, zero plan. Live versions of brands I barely recognize, like Tastemade or Hallmark Drama, just running in the background while I clean. Sometimes it’s home renovation, then out of nowhere, old game shows. I vacuumed for an hour with “Family Feud” on and didn’t even notice. Why do I like that?

Vevo’s chaos in a good way. I chase a Billie Eilish video, then suddenly I’m stuck in a Nelly-Shakira time warp. It’s all algorithmic, but I end up finding stuff I never would on Spotify. Is this what cable was meant to be? I’m not sure, but every week there’s some new copyright drama or the lineup changes, which actually keeps things interesting. I’ll take that over the usual autoplay tunnel.

Device Compatibility and Accessibility

Keeping up is a joke. Find a great original on some tiny network, and then I have to pray it’ll play on whatever device I’m near. Platforms brag about “accessibility,” but most just assume we all have the same TV or phone. Sure.

Streaming on Multiple Devices

Trying to watch this indie sci-fi show on the bus? Forget it. My phone’s half-broken, the app’s fighting me, and unless I’ve bought their latest gadget, apparently I don’t count as a viewer. Even the big services mess up multi-device streaming—switching between iPad and Fire TV shouldn’t feel like a betrayal.

I remember sitting through some tech panel where an engineer just shrugged and said, “Yeah, device fragmentation, it’s real.” Platforms that handle HLS, DASH, all that protocol mess—they get my loyalty. The tech stuff’s buried, but honestly, the process of re-packaging streams so everything just works is weirdly intimate. Like, I’m rooting for the stream to make it to my TV, and if it fails, I’m irrationally annoyed (operators know what I mean). Battery dies mid-episode, I want to pick up on the TV, and if I can’t, I’m done.

User-Friendly Platforms

I’ve lost so many hours to password resets just to keep watching. Some platforms forget who I am between devices—log back in, and it dumps me at season one, episode one. That’s not user-friendly; that’s sabotage. Synced profiles? Not negotiable. Cross-device delivery is hyped as a luxury, but it should be the bare minimum—resume where I left off, keep my subtitles, don’t make me re-train your recommendation engine every time I switch from PlayStation to my ancient Samsung tablet.

And don’t get me started on “user-friendly” designs that aren’t. Ten minutes to find the autoplay toggle? Why is it hidden on mobile? Good apps should feel invisible until they break, and then suddenly I remember how clunky everything still is. I want the same experience everywhere—brightness, language, all that. If the app can’t remember me, why should I remember to pay for it?

Live Sports and Event Coverage Beyond the Mainstream

Nobody warns you: once you start chasing original sports coverage on smaller networks, you get weirdly loyal. A glitchy ESPN+ stream at midnight somehow makes the whole room feel more important. I keep looking for less-polished, more honest analysis, the kind of off-script moments you’d never get on the main network. And if I get distracted and miss a surprise player interview? That’s on me.

NFL, MLB, and More

It’s always some Tuesday night MLB game on a random regional channel that hooks me. Suddenly there’s a rookie pitcher and all the commentary is local gossip—way sharper than the national guys. Remember when ESPN+ did alternative NFL camera angles live? Nobody talks about it, but it was wild. Supposedly 17 million people subscribe to NFL streaming—who’s counting, really? Networks keep recycling the same storylines like we don’t notice.

Discovery+ feels like a B-side: curling, weird cricket commentary, niche baseball stats. It’s like your uncle’s Twitch channel but legal. People don’t realize that direct-to-consumer streaming kills those blackout rules that used to make me want to throw the remote. Bonus feeds, instant stats overlays—I actually feel caught up for once. I mean, who brags about blackout restrictions? But here we are.

Specialty Sports Networks

ESPN deserves an eye roll every summer—way too much hype, not enough game. But then I stumble onto these specialty sports networks running volleyball marathons, live fencing, or deep-dive motorsports, and suddenly it’s 1 a.m. and I’m invested. I asked a broadcaster if those were worth the hassle. He yelled over a bar TV, “More games, less noise, no dumb replays!”—honestly, I think he was right.

Flip between ESPN and some international wrestling on a random OTT app—watch the chat explode. Faster refresh, better stats, actual fan engagement (no middlemen), and extra footage I can’t find anywhere else. My favorite is when they mess with audio: team radio, guest analysts, or almost-silent commentary that makes me think my headphones broke.